More Than A Toy
April 26 – May 22, 2021
More Than A Toy is the first exhibition to highlight designer art toys as a medium for engaging with today’s most difficult conversations. This two-part exhibition places new focus on the innovators working in this cutting-edge art form and the topics they are tackling including mental health, climate change, the drug epidemic, COVID-19, racial injustice, environmental degradation and more.
More Than A Toy offers an overview of the history, design processes and mass market appeal that elevated designer art toys from niche collectibles to a recognized contemporary art form.
Curated by Ethan Clearfield (MUS ’21).
Support for this exhibition from the VPA Graduate Memorial Scholarship and Fellowship.
LET IT SNOW:
November 13-December 13, 2019
In October of 1869 a petrified figure over ten feet in length was unearthed on a farm in the hamlet of Cardiff, NY. Dubbed “The Cardiff Giant,” the oddity became an overnight sensation. In celebration of the 150th anniversary of the giant’s discovery, this exhibit explores the history of the giant and its many derivatives through rarely seen photographs, artifacts from the period, a comprehensive retrospective of more than forty other petrified giants currently known, and a full-scale reproduction created by local artist Ty Marshall.Curated by Stephen Singer G’21, Graduate Program in Museum Studies.
The Genet Gallery’s most recent exhibition, Destination Outdoors, featured seven alumni from the school’s industrial and interaction design (IID) program: Rob Miller ’99, Simon JJ Park ’00, Lori Jacobs ’92, Talia Horner ’15, Yun Pei Hsiung ’10, Sean Horita ’96 and Glen Walter ’80. The exhibition celebrated innovative products and creative design work specifically geared for outdoor use. From lightweight bicycle frames to portable grills and high-end climbing gear to cutting-edge audio, these alumni have made their mark in the expanding landscape of outdoor design, illustrating themes of environmentalism, activism and sustainability.
Destination Outdoors was organized by Don Carr, professor and program coordinator of IID and the M.F.A. in design, and Andrew Saluti, assistant professor and program coordinator of museum studies. September through November 2019.
The Sue & Leon Genet Gallery in the College of Visual and Performing Arts’ School of Design is proud to present the “2019 School of Design Summer Showcase,” an exhibition that features award-winning student work across multiple disciplines in the school, including communications design, environmental and interior design, fashion design and industrial and interaction design.
The exhibition, which is free and open to the public, is on view through Friday, Aug. 9. The gallery is located on the first floor of the Nancy Cantor Warehouse, 350 W. Fayette St., Syracuse.
On display are examples of eight design student portfolios, final theses and projects of note. Included in the showcase are a dress design by Kalthom Aljiboury ’20, created in collaboration with the American Heart Association’s “Go Red for Women” campaign and winner of the Fashion Without Limits EMME Award, and the design work of Jamie Doppelt ’19, winner of the communication design program’s Paul Leibowitz Award for expertise in web navigation via cutting-edge, interactive design.
May 9 - August 5, 2019
Our goal is to collaboratively make positive and meaningful contribution to our local community and people in need.
This year, the Community Design Studio is challenged to make design proposals to renovate the Catholic Charities of Onondaga County’s HQ office in Syracuse, NY. The CCOC is a local organization that is dedicated to assist and provide services to those in needs of housing, food, human development, and health care. Currently, they house in the historic orphanage building on W Onondaga St, which consists 4 levels of accumulated about 60,000 sq. ft office and service spaces. It is the goal of our designers to make sustainable design proposals to improve access, collaboration, comfort, and creativity within the workspace.
Organized by Dr. Seyeon Lee, Assistant Professor of Environmental and Interior Design, in collaboration with graduate and undergraduate students in the Moss School of Construction, Infrastructure, and Sustainability from Florida International University.
February 14 through March 8, 2019
Earl I. Sponable (1895-1977) spent a lifetime contributing to the research and development of the film industry. Shortly after graduating from Cornell in 1916 with a degree in chemistry, Sponable went to work with Theodore Case in Auburn, NY. The two men set up the Case Research Lab, and would develop the first commercially successful sound-on-film system. Sponable became the Technical Director of Research and Development for Fox Films (later 20th Century Fox), where he was central to innovations in film, including CinemaScope and theater television.
Curated and designed by Karyn Radcliffe (Museum Studies ’18), the exhibition highlights original research and artifacts from the collections of the Cayuga Museum of History and Art in Auburn, NY, that illustrate the groundbreaking role Sponable had on the emerging era of motion pictures.
September – November 2018
The garments are all part of the holdings of the Sue Ann Genet Costume Collection, based in the College of Visual and Performing Arts’ (VPA) School of Design and curated by Jeffrey Mayer, professor of fashion design. Mayer will give the gallery talk “Reinventing the Dirndl Skirt in the 21st Century” on Thursday, Oct. 11, at 5 p.m.
The dirndl, a full-gathered skirt with a tight waist or fitted bodice adapted from Tyrolean folk costume, gained popularity in the 1940s for ready-to-wear, both for women and little girls, as a charming and easy-to-wear garment. This silhouette retained its popularity through the 1950s, growing to extreme proportions and supported by layers of petticoats, and although still popular, slightly less full in the early 1960s.
April 28 – May 13, 2018
February 8-23, 2018
The faculty members included in the exhibition are Michele Damato (communications design), Adriana Gorea (fashion design), Rebecca D. Kelly (communications design), Seyeon Lee (environmental and interior design), Zeke Leonard (environmental and interior design), Louise Manfredi (industrial and interaction design), Andrew Saluti (museum studies), and Ralf Schneider (industrial and interaction design).
December 4, 2017-February 3, 2018
Cross Your Heart intends to capture the evolution of a highly complex bra design process via a vintage inspired intimate apparel collection. The designer’s innovative bra patternmaking method, ‘Shin’s method,’ is applied for the creation of the collection.
About the Artist
Kristina Shin, Ph.D., graduated from Chung Nam National University, Korea, with a B.A. in clothing and textiles, an M.A. in fashion merchandising from California State University Los Angeles, and a Ph.D. in fashion design from the University of Northumbria, U.K. She has more than 10 years’ experience in both the outerwear and underwear industries as a fashion designer and patternmaker. Prior to joining the Hong Kong Polytechnic University, Shin worked for Triumph International Overseas Ltd., one of the world’s leading lingerie brands, as a designer.
Shin is the author of Patternmaking for Underwear Design (2nd edition), a textbook that is a comprehensive patternmaking guide aimed at students, educators, and industry. This publication presents innovative bra cup manipulation methods which she developed using a flat patternmaking concept.
October 4-November 12, 2017
“Looking at a panoramic photograph is like unwinding a Chinese scroll, allowing the viewer to slowly take in the story that unfolds,” explains the artist, who began shooting with these cameras nearly 20 years ago. “It’s well suited to exploring the relationships among subjects, objects, and photographer in a broad landscape, and creates a portrait of individuals within a larger community.”
Organized by the graduate program in museum studies, College of Visual and Performing Arts, Syracuse University.
November 3-December 16, 2016
October 21-December 10, 2015
Sanchez (Camaguey, Cuba, 1921 – New York, 1999) moved to New York from Cuba in 1944 to take art classes at Columbia and by 1952 decided to relocate there. His early pictures were inspired by the landscape surrounding his father’s plantation in Cuba and described cane fields dotted with palm trees or working class residences and villages. Apparent in them is an interest in pattern, color, and strong lighting contrasts that came to characterize his mature style.
March 3-April 15, 2014
January 22-February 15, 2014
October 29-November 26, 2013
April 10-May 1, 2013
February 8-24, 2013
September 24-October 10, 2012
April 20-May 13, 2012
March 23-April 17, 2012
December 2, 2011-January 19, 2012
October 15-November 11, 2011